Although it wasn't until the release of The Beautiful Letdown over two years ago that the
band exploded into the mainstream, Switchfoot has been making quality alternative rock for over eight years.
Now with a few successful radio singles and a multi-platinum record under their belt, the San Diego
trio-turned-quintet returns with Nothing Is Sound. The spotlight heat is on the guys hotter
than ever as their Christian fans wonder if the band has sold out, while mainstream fans just want another
batch of hit singles. Stacks of questions have been proposed and Nothing Is Sound is the answer.
This album is everything one can come to expect from Switchfoot with a major label release.
The production has been significantly upped, leaving each song more lush and full than any recording
the band's done previously, without compromising the song's raw energy. The band began in '95 as just
Jon Foreman as lead singer and chief songwriter, his brother Tim and their friend Chad Butler,
and released three records on Sparrow Records together. The Switchfoot musical format was a healthy blend of poetic songwriting,
alternative rock, and just a dusting of subtle spirituality. Foreman's songwriting has always
been sort of a social commentary or reflection on personal experiences. The band has never been known as
one that has an especially evangelistic message. So when the listener looks into the "everything is
meaningless" messages that Nothing Is Sound adopts, finding the word "Lord" as the only
potential reference to our Jesus (used thrice in one song), there really shouldn't be any surprise.
The band's debut The Legend Of Chin possessed a similar subtlety.
But where Nothing Is Sound lacks in direct spiritual and Christian message, it makes up with
hopeful or relevant writing. Songs like the hooky first single "Stars" point out the problems with being
self-centered and the implication of something greater beyond ourselves. "Easier Than Love" is a beautifully
blunt attack on the world's view on sex and love, declaring the obvious reason that "sex sells" in the media
is because sex is easier than the more difficult and seemingly impossible "love." The catchy rock song opens
with bold verses like "Sex is currency / She sells cars, she sells magazines / Addictive, bittersweet,
clap your hands / with the hopeless nicotines..." It's songs like this that offer a message mainstream
listeners seldom hear and probably doesn't even know what to do with. It's refreshing to say the least.
Ferociously catchy songs like "Lonely Nation," "Stars," and the Bob Dylan-inspired "Happy Is A Yuppie Word"
drip with emotion and passion, all the while capturing a fine sense of the band's engaging live performances.
The album is sensitive and desperate, while offering glimmers of light at the same time. "The Shadow Proves The Sunshine" is a rock ballad inspired
by a fact-finding trip Switchfoot took to South Africa earlier this year to see for themselves what poverty
and disease was doing to the country. "The Blues," which Foreman penned on New Years Day 2004, is a song
about finding beauty in the world ending and resonates with the pretty laments of songs like "Let That Be Enough"
from the band's second album. Musically, much of the album remains in the same vein as signature Switchfoot
fare. The bittersweet ballads are all there, and the rock element that band has explored
in recent years is worked further throughout the album's songs. But fans of the more stripped-down
sound of their earlier releases may have a hard time swallowing the more produced approach.
Nothing Is Sound is a sonically rich album that fits nicely among the band's impressive discography,
offering fans something new, but keeping it very much Switchfoot from start to finish. Whether or not the mainstream
continues to embrace the band's music, Switchfoot remains to be one of the best bands in today's current
**For a review of the album's DualDisc version, click here.**
- Review date: 9/11/05, written by John DiBiase