
Stryper is a band that needs no introduction. Getting their start in the hair metal hey-day of the â80s, they went on hiatus through the â90s and returned in the 2000s. Since that rebirth, the band has consistently churned out albums full of new material (along with covers and redone favorites albums). After 2018âs controversially titled God Damn Evil, Stryper is back with the slightly tamer sounding Even the Devil Believes. Although carrying on the almost non-stop rock on this album, there are a couple notable differences.
One involves the themes explored here. If the previous record was an angst-driven condemnation of sin, this new release focuses more on love. There are some gospel-centric tracks, like âBlood From Aboveâ and âLet Him In,â while the other tracks seek love and peace (rooted in the gospel) for the listener. Consider songs like âMake Love Great Againâ (a slight rebuke to a certain Presidentâs prickly personality?) and âDo Unto Others,â both seeking to draw the hearer into being more compassionate. In the latter track, thereâs something powerful about having Scripture thrown at you in an arena-rock song that makes you think twice and more deeply about the source verse. Elsewhere, the title track warns against false piety, âThis I Prayâ gives the album a ballad about wanting to live, and âFor God and Rock ânâ Rollâ acts as an anthem for the believer that will likely become a live favorite (if concerts ever become a thing again). The closer, âMiddle Finger Messiah,â is another entry in a growing list of Stryper song titles that turn your head. This one is a somewhat weaker offering. Itâs about how the world gives Jesus âthe fingerâ and rejects Him. The point is clear, but the song itself feels unnecessary, especially when âFor God and Rock ânâ Rollâ would have made a great closer in its own right.
The other difference involves the music. God Damn Evil felt like a step towards a more â90s rock sound. Even the Devil Believes pulls things back to the â80s. For some fans who just want more of the same for Stryper, this will scratch their itch. For others who want to see some development in sound (even if slight), this record might not rank as highly on personal lists. The music itself is good, as the band uses a variety of tricks to make the songs interesting, but the experience is starting to feel too familiar. For instance, the chorus to âDo Unto Othersâ feels like their earlier hit âAll for One.â âHow to Flyâ treads familiar ground in its Reborn-esque sound and in its message, which the band explored with âFor Youâ on their 7 compilation. While itâs not surprising that a band thatâs been around as long as Stryper starts using similar melodies or structures, it may be time to do a little experimentation to keep things from getting stale.
What makes Stryper a fun band to listen to today is their insistence on recording straight-up rock records while continuing to infuse their songs with the gospel message. Lead singer Michael Sweetâs songcraft has greatly improved since the â80s, and Stryperâs newer catalogue is the better for it. The messages of love and peace in Even the Devil Believes feel especially potent for our current moment. Fans will undoubtedly enjoy this album. Newcomers will also be welcome, though this record may not be the best representation of the band.
- Review date: 9/3/20, written by John Underdown of Jesusfreakhideout.comRecord Label: Frontiers Records
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