Get the new FREE JFH MP3 compilation -- Vol. 14!
Get the new FREE JFH MP3 compilation -- Vol. 14!

JFH Concert Review


Jon Foreman 2015

 

Jon Foreman
10/4/15, at The Loft in Atlanta, GA

It's ten minutes until nine in a hot and stuffy but energetic room, and Jon Foreman is set to take the stage. The lights go down. A harsh note on a cello whines, like a bagpipe drone. Foreman, in characteristic t-shirt, jacket and fedora, steps to the microphone and sings, "The doctor says I'm dying."

Now there's a rousing way to start a concert.

Later, Foreman observes that, upon reflection, lots of the songs on his solo projects are about death. "I'm really funny," he declares, apologetically. "I'm a good hang." The disparity is present in the perfectly-placed concert opener, "Terminal." Foreman wrestles with contrasts, with the glaring specter of death in a broken world lit by a supernatural love and a promise of glory. "We're fatally flawed in the image of God," he sings, setting the table for an evening of music not afraid to tackle really big issues.

Given the serious nature of much of his work, it's astute that Foreman has fashioned the Wonderlands tour a bit loosely, with a fluid setlist ostensibly built around audience requests. The format built intimacy and connection and gave the songsmith freedom to affect the mood of the room in one direction or another.

The freeform approach was even (unintentionally) adopted by the opener. Brad Corrigan (Dispatch) was 15 minutes in when a fan named Chris shouted a request for "Customs," which led into a shared story about Chris's trip to Nicaragua, and Braddigan's story about his documentary Ileana's Smile and a warm Spanish singalong, "Amor, luz, y melodia."

Following Corrigan's set, fans started passing song requests to the front on random fragments of paper. Soon, the stage was festooned in song, and the requests kept coming throughout the night, crumpled snowballs hoping to survive the heat. Some had stories accompanying the request. Some were fully expected (read: "Dare You to Move," "Meant to Live," "Only Hope"). Others were obscure. Someone even wrote "Shut Up and Dance," and Foreman wondered aloud if that was a song request or an imperative bit of advice.

Gazing at the messy piles all around him, Foreman declared, "Welcome to the Wonderlands, Atlanta. I would encourage you to embrace the chaos. Chaos has embraced you, whether you like it or not."

Foreman was accompanied onstage by Aaron Redfield (Fiction Family) on drums, with a kit turned ninety degrees to face center stage, and cello impresario Keith Tutt II. The tight trio worked like an improvising jazz band, quickly establishing the key for unfamiliar songs and seamlessly matching tempo changes driven by drums or cello or guitar. Redfield would occasionally have to sit out half a verse before he picked up on Foreman's oft-obscure time signatures, and each song had room to breathe. There was even an extended bit of scat singing from an otherwise oddly-paired guest vocalist.

Foreman was nimble on his acoustic (adorned with a lovely Lute Hole cover) and once used his harmonica as a guitar slide. A high-fret capo brought a mandolin sound at times, and for Switchfoot songs, Tutt was quick to pluck the electric guitar parts on his cello.

Three requests in particular launched heartfelt dialogue from Foreman (who, I noticed, sounded a little bit that evening like Mitch Hedberg). A nine year old boy curiously asked to hear "Twenty-Four," which, given that it was written following a skateboarding accident just before Foreman's 24th birthday, brought this bit of sage advice from the stage: "Skateboarding does not impress girls."

Juan from Brazil requested "My Coffin." Foreman consented, and then someone shouted, "What does it mean?" which led to a fascinating moment of pondering the implications of inanimate objects fearing their own deaths. A fan requested "In My Arms," stating that she'd walked down the aisle to that song. "The grocery aisle?" Foreman joked, and then a unique gift from the fan was passed to the front: a set of surfboard fins painted to match the EPs. Before "Meant to Live," Foreman announced, "Today is a very special day," and then invited Paul Meany to the stage. MuteMath, playing later in a venue in the same building, loaned their singer for an unexpected duet which, honestly, highlighted Foreman's vocal prowess.

The audience was connected throughout, singing along to even the newest of songs. "Southbound Train" was a highlight, with Foreman's harmonica never sounding more like Bruce Springsteen, as was "All of God's Children." The latter's lyrics were strangely apropos as a raucous MuteMath crowd upstairs shook the ceiling and Foreman quietly sang, "All of God's children, shining underneath."

Finally, the methodical "Your Love is Strong" was a powerful closer, a vibrant sold-out-crowd singalong echoing the theme of much of Foreman's music: "Forgive us weary sinners, keep us far from our vices, and deliver us from these prisons."

-- Mark D. Geil, 10/14/15


 

Jon Foreman Show Photo Gallery
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**vertical images cropped for thumbnails**

Jon Foreman

*all photos by Mark D. Geil and are the property of the photographer and Jesusfreakhideout.com

 



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This Friday, September 5, 2025
ALBUMS
A Life Aligned The Light That Failed To Cease (independent)
Philip Anthony A League of My Own (ALOMO) - EP (independent)
Josh Baldwin Full Grown Man, Vol. 1 - EP [Bethel]
bodie NO SKIPS [Provident]
Colony House 77 (Pt. 1) [Roon]
Coqui LIVING 2 DIE - EP [DREAM]
The Gray Havens This Is Not the End (independent)
Forrest Frank CHILD OF GOD II (BACK TO BACK) DELUXE [River House]

SINGLES
Bill B. GOD KNOW ft. TrigNO - Single [Syntax]
Mark Bishop I'm Gonna Do What I Said I'd Do - Single [Sonlite]
Brave Days Friendly Fire - Single (independent)
CalledOut Music Adore You - Single [Integrity]
Michael Carder Where Do I Go From Here - Single (independent)
Charis Music Pressing Through (feat. Hailey Trevino) - Single [NWN]
Darius Mullin & Dre Murray Cash & Burn - Single [Syntax]
Kristene DiMarco Song for My Children - Single [Bethel]
Amanda Janson Sinner to Saint - Single [Pure Mosaic]
JSP It's Not Your Fault - Single (independent)
Tae Lamar Vengeance II (feat. MotionPlus, Propaganda, and m1L) - Single [Polished Arrow]
Patrick Mayberry Everlasting Arms - Single [Provident]
No Vain Glory FLEX - Single [Syntax]
Jemimah Paine Reason - Single [Integrated Music Rights]
R.kitect Tha Deep End - Single [Syntax]
Razzie & theprodigaljoe Man Make Plans - Single [Syntax]
Saints in Exile My Mind is a Prison - Single [Syntax]
Carly Ann Taylor Why Should I Worry (Remind Me Version) - Single [Curb]
Jaci Velasquez, Evan Egerer ¡DALE! Praise - Single [Rixon]
NEEDTOBREATHE Momma Loves Me (feat. The Red Clay Strays) - Single [Omnivore]
Madison Watkins You Won't - Single [Provident]
Wisenheart Well-Worn Door - Single (independent)
Zahriya Zachary Shine n Me (feat. Edward Rivera) - Single [Bethel]

Next Friday, September 12, 2025
ALBUMS
Jervis Campbell Good Grief! (independent)
Demon Hunter There Was A Light Here [Weapons MFG]
Roxanne Grace Try Again [DREAM]
Ellie Holcomb Far Country [Capitol CMG]
Sower Contemporary Christian Machine - EP (independent)
twenty one pilots Breach [Fueled By Ramen]
Phil Wickham Song of the Saints [Fair Trade]

SINGLES
BASECAMP Under the Blood (feat. Knaladeus) - Single [Polished Arrow Music]
Dan Bremnes Find Yourself - Single [Curb]
Matt Hammitt Days God Gave - Single (independent)
Amy Jay Margins - Single (independent)
The Undertaking! Forever Remember - Single (independent)


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