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The 10-Time GRAMMY® Nominee Will Perform On “Good Morning America” On Wednesday, June 15

“Hold Us Together (Hope Mix)” H.E.R. Ft. Tauren Wells Nominated For A 2022 BET Award

Tauren Wells' New Album 'Joy in the Morning' Dawns Today

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NEWS SOURCE: Rogers & Cowan
June 10, 2022

Today, 10-time GRAMMY® nominee Tauren Wells released his new album, Joy In The Morning, a bold 10-song set. From the funky bounce of lead single “Fake It” to the R&B swing of “Breath Away” to the soaring piano ballad “Empty,” he’s redefining his musical lane in real time. Download / stream Joy In The Morning HERE. It is also available in Wells’ online store along with an exclusive line of Joy in the Morning merchandise. 
 Wells, who has amassed over one billion combined global streams to date, will celebrate the album’s release with an appearance at the GRAMMY Museum L.A. Live on June 13 – part of “The Drop” series – and a performance during the 8:00 AM hour of “Good Morning America” on Wednesday, June 15. He was recently nominated for a 2022 BET Award for his duet with H.E.R.
“Hold Us Together (Hope Mix).” The song was previously honored with GRAMMY and NAACP Image Awards nominations. A celebrated recording artist, multi-instrumentalist and songwriter, Wells has charted six No. 1 radio singles thus far, earning one RIAA Platinum certification and two Gold records in the process.
His fall North American tour will include shows at The Town Hall in New York City (October 17), Los Angeles’ Orpheum Theatre (November 5), The Soundstage at Graceland in Memphis (November 12) and Nashville’s Ryman Auditorium (November 15). Special guests Aaron Cole and Lakewood Music will support. Tickets are available HERE. See below for itinerary. 
Joy In The Morning is Wells’ third album and first for Capitol Records/CCMG. While the title captures the brightness that comes with the dawn, the songs capture the wide range of human experience. “Throughout the sessions, I was thinking, ‘How many people can I encourage with this album?’” he recalls. “You can consider the pain. Consider the disappointments. Consider the dreams. And now, all of a sudden, you have a soundtrack that helps sooth the wounds or awaken the dreamer,” he adds. 
Flaunt Magazine observed in a recent two-page feature, “Coupling raw vulnerability with palpable passion, Wells’ lyrics evoke brave emotions and stark confessions for both himself and his listeners to come to terms with….Wells’ optimism for a better tomorrow demonstrates that music is a common language – an overwhelming sensation of love and infinity in the palm of your hands.” Read the Flaunt feature, which appears in the Rhythm in Retrograde music issue, HERE.


10/6 Tampa, FL Yuengling Center/Univ. of South Florida

10/7 Fort Lauderdale, FL The Parker-Lillian S. Wells Halls

10/8 Jacksonville, FL Florida Theatre

10/9 Durham, NC Durham Performing Arts Center

10/13 Reading, PA Santander Performing Arts Center

10/14 Boston, MA Emerson Colonial Theatre/Emerson College

10/15 Woodbridge, VA Hylton Memorial Chapel

10/17 New York, NY The Town Hall

10/20 Columbus, OH Palace Theatre

10/21 Detroit, MI Fisher Theatre

10/22 Marion, IN Indiana Wesleyan University Chapel Auditorium

10/23 Grand Rapids, MI DeVos Performance Hall

10/27 Sugar Land, TX Smart Financial Centre

10/28 Grand Prairie, TX Texas Trust CU Theatre at Grand Prairie

10/29 San Antonio, TX Tech Port Center Arena

10/30 Austin, TX Austin City Limits Live at The Moody Theater

11/5 Los Angeles, CA The Orpheum Theatre

11/6 Sacramento, CA Sacramento Memorial Auditorium

11/7 San Diego, CA The Rock Church

11/10 New Orleans, LA Mahalia Jackson Theater for the Performing Arts

11/11 Birmingham, AL Alabama Theatre

11/12 Memphis, TN Graceland Live -The Soundstage at Graceland

11/13 Atlanta, GA The Tabernacle

11/15 Nashville, TN The Ryman Auditorium

11/17 Kansas City, MO Midland Theatre

11/18 South Barrington, IL Willow Creek Community Church

11/19 Evansville, IN Aiken Theatre in The Centre

For more information, visit:


For more info on Tauren Wells, visit the JFH Artists Database.

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