THE ROCK MUSIC’S CALEB & KELSEA YETTON
SPOTLIGHTED ON WORSHIP COLLECTIVE'S LATEST EP
NASHVILLE, Tenn.—
No One Knows Me Like You, the latest release from
The Rock Music—a collective of Spirit-led, Christ-centered worshippers flourishing for more than two decades as a ministry of The Rock Church in Salt Lake City—is set to bow
October 4. Spotlighting longtime group members Caleb & Kelsea Yetton, the five-song EP draws thematic inspiration from the title track, a soaring pop anthem produced by Carter Frodge (Newsboys, The Afters) and written by The Rock Music’s Caleb Yetton and Steele Croswhite along with acclaimed singer/songwriter Joel Vaughn.
“‘No One Knows Me Like You’ was inspired by the truth that God sees and knows everything about me and still loves me,” shares Caleb Yetton, a worship leader and pastor at The Rock Church. “He sees the worst of me—my doubts, my sins, my fears, my questioning of His plans, my rebellion—and He sees the guilt and shame I still sometimes carry when I think about my past. Despite it all, He loves me. In fact, He loves me more deeply than anyone ever could.”
“There are two messages that I hope resonate with listeners,” Yetton adds of the title-track and overarching theme of the EP. “First, we are fully known by God and fully loved. Because of the love and grace of Jesus, we have a home in Him, and we drink the Living Water that quenches our thirst for belonging. Secondly, we are not alone in feeling misunderstood, unknown or insecure. As we have played 'No One Knows Me Like You' in our worship services and unpacked the idea behind it, people are impacted by the message. The enemy would have us believe we are the only ones who are messed up or lonely, but that is not true. We all need Christ's love to heal us.”
The
No One Knows Me Like You EP also showcases two originals penned by Caleb & Kelsea Yetton and led by Kelsea—“Holy Savior,” an intimate, low-fi worship ballad, and the impassioned “Revolution Medicine." Rounding out the project, The Rock Music delivers signature renditions of renowned favorites “All Hail King Jesus” and “You’re Beautiful,” songs with deep meaning to the collective's Salt Lake City congregation as well as the Yetton family.
“Walking through the loss of Kelsea’s mother to cancer contributed to the perspective of the EP,” Yetton explains. “It has been a season of wrestling with doubts and questions about God's plan and thinking about Heaven and about what we are living for and giving our lives to right now. That’s why we wanted to include familiar songs like ‘All Hail King Jesus’ and ‘You're Beautiful,’ which have not only been staples in our worship sets over the last few years, but they speak of Christ’s promise of eternal life; the joy of worshipping Jesus in Heaven; and proclaiming Him now as King of Heaven and Earth.”
“The heartbeat of The Rock Music has always been to feature artists within our collective who represent a variety of styles and allow them to bring their own background and approach to the music we release,” explains Steele Croswhite, pastor and worship leader at The Rock Church. “We see this variety as a strength, and this uniqueness among our artists also offers excitement for our local church, in terms of both community and worship.”
ABOUT THE ROCK MUSICFor two decades The Rock Music has been dedicated to writing, recording and performing Christ-centered music without compromise. The collective—helmed by singer/songwriter, worship leader and pastor Steele Croswhite—has released 13 full-length recordings and seven EPs. The Rock Music is a ministry of The Rock Church, a suburban Salt Lake City congregation on a mission to share the Hope and grace of Christ in Utah, a state with among the fewest Bible-believing Christians in the country. Through outreach efforts in the community, including to those from Mormon/LDS backgrounds, the church seeks to work together, in unity, to reach the world for Jesus Christ.
For further information, visit
The Rock Music,
The Rock Church or
Turning Point Media Relations. Follow The Rock Music on
Instagram and
Facebook.
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