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Dunkirk Dunkirk

** (see below notation)
- for intense war experience and some language.
Director: Christopher Nolan
Starring: Fionn Whitehead, Mark Rylance, Tom Hardy, Harry Styles, Kenneth Branagh, Damien Bonnard, Jack Lowden, James D'Arcy
Running Time: 1 hour, 46 minutes
Theatrical Release Date: July 21, 2017
Official Site
  


Plot Summary

Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II. (from IMDB.com)


Film Review

Indie director extraordinaire Christopher Nolan made the transition from gritty psychological thrillers (the R-rated Memento and Insomnia) to the big-budget blockbusters with 2005's Batman Begins -- and hasn't looked back since. With the success of Batman Begins, Nolan has gone on to direct two more Batman films, rounding out the "Dark Knight Trilogy" and has also released several pet projects of his own in between those DC Comics chapters, like The Prestige and Inception. Each of Nolan's efforts have been deep, often thought-provoking projects, bringing added depth to the kind of popcorn-munching summer fare people have grown accustomed to. It's this kind of skillful and thoughtful film making that makes the major success of his latest entry, a war film, not too surprising.

Dunkirk seems like a significant departure from the norm for Nolan, not only serving as a war film, but something based on a true event in history -- a true first for Nolan. The stories told here are fictitious, but they're set within the real event that occurred during World War II, and the narrative is designed to be thrilling, tense and unsettling. But Nolan's unconventional means of storytelling here isn't quite enough to make the story suspenseful; it's the score from longtime musical collaborator Hans Zimmer that takes it to the next level, delivering a hair-raising soundtrack that is likely to have your pulse racing while you squirm in your seat. Nolan's unconventional storytelling narrative also lends a little intentional confusion to the film that helps ratchet up the tension. When you start to realize that the storylines aren't necessarily happening at the same exact time, it adds another level of excitement.

To complete the package, the acting in the film is solid. There's a mix of fresh and veteran talent, having some familiar faces interspersed among a sea of new ones. The new talent, in this case, Fionn Whitehead, make it easier to feel like you're following actual soldiers on the battlefield, and it pulls you into the story more. Even though you'll see recognizable faces like Kenneth Branagh and Cillian Murphry peppering the scenery as well, they just bring an added sense of clout to the material -- and they're excellent in their respective roles (as one would expect). The plot weaves in and out of the different stories - soldiers trying to escape Dunkirk, boats coming to help them out, and planes in the air trying to keep the skies clear. It doesn't leave much room for character development or even arcs, but it helps paint a well-rounded portrait of what this event must have been like for soldiers of all kinds, nationalities, and ranks.

When trying to describe the tone and feel of the film, it helps if you're familiar with Nolan's work. For example, most of his films hit a point where all of the tension is building and coming to a head, ready to explode in some fashion -- and usually, it involves several story lines at once. In Inception, it's when the van is going over the side of the bridge in slow motion and the clock is ticking on the deep dreamers; in Interstellar, it's when Coop is experiencing a life-threatening scuffle on a planet while his daughter and son on Earth are in the midst of a domestic dispute; in The Dark Knight, it's around the time Batman realizes who The Joker is targeting. They're all moments where the story is jumping between characters during nail-biting situations. If you made nearly an entire film of that kind of tension and those kinds of moments, you'd have Dunkirk. Some of the tension is simply because you can tell that Nolan is laying the puzzle pieces out on the table, and it's all leading up to something, all the while you have Zimmer's score ticktocking through each scene. And it works!

The content is shockingly mild for a war film. Language is infrequent, but one scene has 2 uses of the "F" word. There is plenty of war violence, but it's never graphic and only seldom bloody. In fact, you can count two instances of blood in the film - one on bandages on a soldier being carried on a stretcher, and another scene when a person falls and injures their head. In the latter scene, someone goes to help the person who fell and finds blood on their fingers when touching the victim's head. Finally, there's no sexual content of any kind.

Dunkirk isn't your typical blockbuster film, and most young people will probably go just to see singer Harry Styles' acting debut, but it's a solid film with a great story, a unique narrative, and an intense score. If you don't typically like war films, you may want to pass on this one, otherwise Dunkirk is an excellent film about the human spirit - great and small - and the little victories and sacrifices during a time of great cost and loss.

- John DiBiase (reviewed: 8/2/17)

 

Parental Guide: Brief Summary of Content
. Sex/Nudity: A young man pulls down his pants to defecate in the sand, but we don't see any nudity.
. Vulgarity/Language: 2 "F" words, 2 "S" words, 2 "h*ll," 2 "Chr-st," 1 "For God's sake"
. Alcohol/Drugs: Some soldiers are handed bottles of champagne in celebration at the end of the film.
. Blood/Gore: A soldier is shown bandaged up while laying on a stretcher. We see two big bloody spots soaked through his bandages; A person is accidentally hit and knocked down. We see them struggling on the ground and when someone goes to help them, and touches their head, they find blood on their fingers (from an unseen head wound). There is a little blood on the floor too.
. Violence: We see a group of soldiers get shot and killed as a young man flees; A large group of soldiers are on a beach when the beach is bombed. We see large explosions, some that engulf soldiers (but there's no gore); We see some dead bodies on the ground in some scenes; We see the bare feet of a soldier being buried by another soldier; A ship hit by bombs sinks as people flee from it. Wounded soldiers on the ship are unable to escape; We see some planes get shot down in the sky; A plane crash lands on the surface of the water; A pilot struggles to break the cockpit glass as it fills with water; A ship is hit by a torpedo and begins to sink. We see various compartments filled with soldiers panicking to get out as they fill with water; Soldiers climb inside an empty boat on a beach in hopes to ride it out to sea when the tide comes in. Bullet holes shoot through the side as they hide. One soldier goes to investigate by looking through the holes to see what's outside and he is shot (he grabs his face and screams in pain); Some soldiers threaten to shoot one of their own they believe to be a spy; A ship is riddled with bullets and takes on water and begins to sink; Soldiers in the water are surrounded by oil from a sinking ship. It catches on fire at one point and some of the soldiers burn up; A man who is shellshocked panics on a boat and accidentally knocks a young passenger down a step or two onto the floor. The person hits their head and says they cannot see; A man burns his airplane on a beach and is captured by enemy soldiers; We find out an injured character has died; Another person drowns in a sinking boat.

 

** Disclaimer: All reviews are based solely on the opinions of the reviewer. Most reviews are rated on how the reviewer enjoyed the film overall, not on content. However, if the content really affects the reviewer's opinion of the film, it will definitely affect the reviewer's rating.

 

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