It is very rare I am captivated by an album upon first listen. Even with artists I have come to enjoy the most, the best seem to take time to sink in before they can be fully appreciated. Comrades' Lone/Grey is a different story. Receiving this release before its street date felt like being let in on a well-kept secret, and, in a way, it was. The Virginia-based three piece are an enigma. For a band that has nearly a decade of experience, they display a lean discography to say the least, with 2014's instrumental Safekeeper being the only other full-length of which to speak. Admittedly, that album is technically sound, even impressive at times, but it does not adequately suggest where they currently stand. To be certain, Comrades has spent the last eight years preparing to take center stage and they are more than ready now.
Above all, Lone/Grey is a complete work. To examine each track for its own merit would feel out of context and undoubtedly compromise its essence, which many would argue is the mark of a truly great album. That being said, the space between "Synchronous" and "Shepherd's Hymn" is one of the more striking moments on the release, a place where melody becomes the centerpiece and the album breathes. "That We May One Day Be The Same" is also notable, combining many of the best elements from the prior tracks into a worthy conclusion. Somehow, the album's progression suggests a topography not unlike natural landscapes, with intentional peaks and valleys that ensure synergy between its distinctions and make the whole much greater than the sum of its parts.
Judging from prior works, Comrades have traded technical proficiency for emotional conveyance, a point likely best represented by the introduction of vocals. Unlike many modern artists, the voices of the musicians are not meant to add immediacy. Instead, they function as another instrument, challenging the listener to engage in the entirety of the piece rather than shirk towards a familiar sound. And while within Lone/Grey there still lies the same dichotomies of tune and noise, singing and screaming, silence and sound, they are pieced together in a manner that is both whole and new. In this way, Comrades accomplish something extraordinary.
In short, Lone/Grey is a testament to Comrade's maturation, a career igniting effort, and quite possibly the best post-hardcore album of 2016.- Review date: 10/5/16, written by Jeremy Barnes of Jesusfreakhideout.com
|comments powered by Disqus|
|Chuckie Perez Joins Christian Film, "The Righteous Twelve"|
Tue 14 Aug 2018 11:50:00 EST
|Nathan Sheridan Shares Journey on "Broken with You" Sept. 14|
Mon 13 Aug 2018 15:20:00 EST
|Official Statement from STRYPER Regarding Band Member Oz Fox's Health|
Mon 13 Aug 2018 14:30:00 EST
|Jonny Diaz Releases New Album, "Sweetness and Sorrow"|
Fri 10 Aug 2018 18:40:00 EST
|The Protest Building Buzz With New Album|
Fri 10 Aug 2018 18:28:00 EST
|TobyMac's "Everything" Music Video Lands Everywhere As Song Hits Radio|
Fri 10 Aug 2018 18:22:00 EST